The policy pursued by the Ministry of Culture since its creation has resulted in a tremendous expansion of cultural activity in our country. This policy has also benefited from the growing intervention of local governments, who have relied on decentralization laws to invest in the field of culture and currently represent a source of funding threefold that of the ministry. It has also been marked by the multiplication of ministry operators which have advantage of their autonomy to develop in a remarkable way. As a consequence of this development, the central role of initiator, long played by the Ministry of Culture has lost its importance, especially as it seems to have adapted insufficiently in its organization and its modes of operation to the new order of which it was the instigator.
